with Reynaldo Damazio
Dates: August 05, 12, 19, 26 and September 02, 2025
Tuesdays
Hour: 19h to 21h
Duration: 05 meetings
Audience: general interested parties
Investment: R $ 400,00
Online course
Live, via video conferencing platform
Recorded classes available for a limited time only
Course includes certificate at the end
The course addresses a theme dear to Latin American literature: the emblematic presence of fictional cities that are also characters in novels, such as in “Pedro Páramo” by Juan Rulfo, “One Hundred Years of Solitude” by Gabriel García Márquez, “A Short Life” by Juan Carlos Onetti, and “The Hour of the Ruminants” by José J. Veiga, among others. More than mere settings, these cities are a reference and structural element of the narrative: a topoi (place) of symbolic identity and social conflicts. The proposal is to collectively reflect on the works based on their representation of the landscape, as a resource of literary language.
Agenda
Class 01 – Territory and imaginary
• The importance of territory in the Latin American poetic imagination
• From indigenous foundation myths to wandering quesa e General song
• Ethics and aesthetics of narrative
Class 02 – Ghostly city
• eat it, by Juan Rulfo
• Ancestry and fiction
• Deconstructed reality
Class 03 – Fantastic city
• Macondo, by Garcia Marquez
• Magical realism and surrealism
• Poetics of territory
Class 04 – Uncertain city
• Santa Maria, by Juan Carlos Onetti
• Personal and collective failure
• Wandering versus rooting
Class 05 – City under siege
• Manarairema, by Jose J. Veiga
• City and state of siege
• Capturing the imagination
Reynaldo Damazio
MAM friend has 20% discount. Be part!
Students, teachers and retirees have a 10% discount
Doubts:
cursos@mam.org.br
WhatsApp: 11 99774 3987
By participating in this activity/event, you authorize, free of charge and definitively, MAM – Museu de Arte Moderna de São Paulo, to use your image, voice, biographical data and characteristic signs, captured in video, audio, photography and prints, for the purposes of recording, disseminating and promoting the Museum's activities, in any means, vehicles, supports, media, methods and technologies, tangible or intangible. If you do not want your image to be disclosed, please inform MAM (cursos@mam.org.br)
credits: León Ferrari, untitled. Photo: Romulo Fialdini