on Flavia Corpas
Dates: April 28, May 5, 12 and 26, June 2, 9, 16 and 23, 2026
Tuesdays
Hour: 19h to 21h
Duration: 8 meetings
Audience: general interested parties
Investment: R $ 640,00
Online course
Live, via video conferencing platform
Recorded classes available for a limited time only
Includes certificate at the end
From Sophocles to Salvador Dalí and Marguerite Duras, including Leonardo da Vinci, Francesca Woodman and Cindy Sherman, this course investigates the complex relationship between Art and Psychoanalysis, exploring texts and concepts that have marked both fields to this day.
Based on Freud's writings, we will analyze how he did not limit himself to using art as an illustration of his clinical discoveries, but took artists and their works as fundamental interlocutors — a point also highlighted by Jacques Lacan.
Lacan, in turn, proposes that interpretation in psychoanalysis should function like a ready-made by Marcel Duchamp, avoiding reinforcing the symptom through meaning and shifting interpretation to the limits of language and representation — that which, in psychoanalysis, is called the real, the impossible to symbolize.
Neither Freud nor Lacan sought to formulate a psychoanalytic aesthetic. What interests them is the knowledge specific to each artist — a knowledge that he does not necessarily recognize, but which manifests itself in creation.
Agenda
Class 1 – Art and Psychoanalysis: a field of tension
- Presentation of the course and its methodology
- What is Psychoanalysis? What is Art?
Class 2 – Proceedings of the Vienna Psychoanalytic Society
- Art and Psychoanalysis: first articulations
- Life and work of an artist
Class 3 – Psychopathic Characters on Stage
- The birth of Psychoanalysis
- The psychoanalytic method and Art
- The spectator and the work
Class 4 – Gradiva
- Art and fantasy
- Psychoanalysis and literature
- The artist's knowledge
Class 5 – The poet and fantasizing
- Art and children
- Psychoanalysis and poetry
- Art and the unconscious
Class 6 – A childhood memory of Leonardo da Vinci
- Sublimation
- Schapiro and Lacan
Class 7 – Moses by Michelangelo
- Psychoanalysis and Art History
- Read a work
Class 8 – Das Unheimliche
- Art and Aesthetics
- The work of Francesca Woodman
Flavia Corpas
MAM friend There's a 20% discount. Be part!
Students, teachers and retirees have a 10% discount
Doubts:
cursos@mam.org.br
WhatsApp: 11 99774 3987
By participating in this activity/event, you authorize, free of charge and permanently, the São Paulo Museum of Modern Art to use your image, voice, biographical data, and distinctive features, captured in video, audio, photography, and prints, for the purposes of recording, disseminating, and promoting the institution's activities, in any means, vehicles, supports, media, methods, and technologies, whether tangible or intangible. If you do not wish your image to be disclosed, please inform the Museum of Modern Art of São Paulo by email. cursos@mam.org.br.
credits
Image: Mira Schendel, Untitled, 1984. MAM São Paulo Collection.
