Dates: February 28, March 06, 13 and 20, 2024
Wednesdays
Time: from 18h30 to 20h30
Duration: 4 meetings
Audience: general interested parties
Investment: R $ 320,00
Hybrid course: The first three classes will be online, via videoconference. The fourth and final class will take place in person, at the MAM São Paulo headquarters.
Live, via video conferencing platform
Recorded classes available for a limited time only
Course includes certificate at the end
This course offers in-depth insights into certain legal topics that are fundamental to the cultural sector, such as copyright and personality rights. During the meetings, participants will learn through everyday cases, court decisions, practical workshops and reading tips. The objective is to enable professionals and other interested parties to deal with complex legal issues related to culture and art.
Agenda
Meeting 01 | Copyright
- What is copyright and what does it protect?
- Who is considered aut@r?
- Do I need to register my work?
- Patrimonial rights and moral rights
- Contracts – license and assignment
- When can I use a work without authorization?
The. Public domain
B. “Limitations and exceptions” – accessibility, citation, “small excerpt”, work in a public place, educational uses, etc. - What if I don't know who the author is? – “orphan works” and diligent search
- Good practices for:
The. Digitization of collections
B. Requests for access to works and documents
w. Selling products
Meeting 02 | Personality rights
- What are personality rights? – use of image, voice and other personal characteristics
- Rules and risk scale for unauthorized use
- Court cases
- Good practices in recording public image
Meeting 03 | Legal issues at exhibitions
Participation by Renata Ferreira (BSA Advogados – service to MAM São Paulo)
The teacher and the guest will deal with practical aspects of the legal concepts presented in the first two classes based on a fictitious case of a visual arts exhibition, addressing issues such as:
- What are the differences between author, holder and owner/collector?
- Which contracts are most needed?
- How to deal with creative service providers? – curators, photographers, translators, designers, etc.
- How does loaning works to cultural institutions and collectors work?
- How to obtain copyright clearances? – artist, heirs, AUTVIS, collectives, inventories.
- How to deal with indigenous art?
- How to do the indicative classification?
- How do I know if I need to obtain authorization to use visitors' images?
- Good practices for:
The. Use of works in promotional material
B. Pre-opening alignment
w. Photographic records of the exhibition
Meeting 04 | Doubts workshop
Participation by Mei Lian Jou (BSA Advogados – serving the Tomie Ohtake Institute) and Mariana Luvizutti (MASP)
The guests are lawyers working in the cultural and museum sector and will tell the class a little about their experience and interesting situations experienced in the profession. From this dialogue, there will be resolution of doubts, discussion of cases and additional content according to the needs presented by the class, in a form circulated throughout the course.
Olívia Bonan
MAM friend has 20% discount. Be part!
Students, teachers and retirees have a 10% discount
Doubts:
cursos@mam.org.br
WhatsApp: 11 99774 3987
Live online course via video conferencing platform. Recorded classes available only to registered participants and for a specified period of time.
By participating in this activity/event, you authorize, free of charge and definitively, MAM – Museu de Arte Moderna de São Paulo, to use your image, voice, biographical data and characteristic signs, captured in video, audio, photography and prints, for the purposes of recording, disseminating and promoting the Museum's activities, in any means, vehicles, supports, media, methods and technologies, tangible or intangible. If you do not want your image to be published, please inform MAM (cursos@mam.org.br). In some courses, classes that take place on the Zoom platform may be recorded and made available only to participants in those respective classes with an expiration date. The content of the recording is protected by copyright and access is permitted solely for study purposes and for the exclusive use of the participant, making it impossible to disclose or share with third parties.
credits
Bruscky, Paulo, Untitled (no date).
