MAM's course program is organized into four thematic areas that address modern and contemporary Brazilian art from different perspectives, ranging from artistic production to its distribution, reception and mediation processes, including training aimed at professionals working in cultural institutions. The goal is to promote a broad debate on the social and aesthetic issues that influence the artistic field, in addition to encouraging students to develop a repertoire that is sensitive to the museum's activities, exhibitions and collection.

Offered in the following formats online and/or in personThe courses are taught by renowned professionals in fields such as photography, art history and criticism, literature, museology, and cultural production. The program aims to cater to a diverse audience, including beginners and experts interested in the dissemination and appreciation of contemporary art.

axes

1. Narratives of Art History
Theoretical expository courses on art history and criticism, which explore different approaches, perspectives and contexts.

2. Cultural Management
Theoretical and practical courses for interested parties and professionals working in museums and cultural institutions on topics such as research, conservation, mediation, curation and production.

3. Contemporary Cultural Themes
Theoretical and practical courses designed to understand contemporary historical, aesthetic and political issues, integrating different areas of knowledge.

4. Artistic Practices
Practical courses and study groups designed to guide students' artistic production in the languages ​​of the visual arts.

All courses issue a certificate of participation.

MAM friend has 20% discount. Be part of it!

Students, teachers and retirees have a 10% discount. Contact us!

Questions and information 
Email: cursos@mam.org.br
WhatsApp: 11 99774 3987

Image. Image description: The image presents a minimalist and conceptual artwork on an off-white or slightly yellowish paper background. In the lower register of the composition, four rounded and solid black shapes are aligned horizontally, resembling silhouettes of fruits such as pomegranates or figs, or possibly old bombs with fuses. Each of these shapes has a small

Women in Latin American art

25 May 26 – 29 Jun 26
Image Description: The image is the cover of a historical French publication called

Japonism in modern art

12 Nov 25 – 03 Dec 25
 brief history of art and fashion

 brief history of art and fashion

12 Nov 24 – 17 Dec 24
the 80s generations in Brazilian art

the 80s generations in Brazilian art

15 Oct 24 – 24 Oct 24
history of art in latin america

history of art in latin america

10 Sep 24 – 01 Oct 24
Image. Beginning of image description: Geometric painting composed of four horizontal stripes of earth tones (burnt orange) on a white background. The stripes have slightly irregular and angular outlines, not being perfectly straight, and are contained within a beige paper frame. End of image description.

Brazilian modernisms: art, architecture, design

08 Apr 26 – 06 May 26 registrations closed
Image. Image description: The image shows an oil painting by Tarsila do Amaral, dated 1948, framed in dark wood. The work depicts a Brazilian rural landscape with green hills in the background under a cloudy blue sky. In the middle ground, small, simple houses in shades of white, pink, and blue are surrounded by typical vegetation, including tall cacti and a tree with a rounded crown. A dirt path crosses the scene, and large stones appear in the foreground. The signature

modern and contemporary art

24 Feb 26 – 07 Apr 26 registrations closed
Image. Image description: A self-portrait or portrait of a man, possibly Flávio de Carvalho, painted in an expressive style with vibrant colors and loose brushstrokes. The figure, with fair skin, is depicted in the foreground, looking directly ahead with an intense and serious expression. The face and body are constructed with patches and blocks of color that vary between shades of blue, red, orange, green, and white. The hair is represented with quick, dark brushstrokes on the top of the head. The figure's clothing on the torso displays large geometric planes in shades of bright pink, red, light blue, orange, and dark blue. The hands, placed one on top of the other at the bottom of the painting, are painted schematically, with shades of white, light blue, and beige. The background is abstract, composed of large areas of color that include pink, red, light blue, and yellowish-green. In the upper right corner, there is an inscription in green ink that appears to be a signature and date. End of description.

Representations of madness in the history of art.

27 Jan 26 – 03 Mar 26 registrations closed
Image description: A wide, panoramic view of the interior of a large exhibition hall, with a bright white floor and walls. The high ceiling is adorned with a long row of directional spotlights. The room is filled with various works of contemporary art. On the left wall hangs a series of four or five framed, colorful paintings. In the center of the floor, there is a sculpture installation consisting of large pieces of rusted or burned metal, supported by easels or thin metal structures. Immediately behind this sculpture is a large rectangular screen displaying a close-up image of a map. Further back, other screens and installations are visible, including a tall metal structure on the right that appears to support objects resembling human heads or masks adorned with feathers and fabric. The perspective of the long, white corridor creates a sense of depth and spaciousness. End of description.

art and history of exhibitions

27 Nov 25 – 18 Dec 25 registrations closed
photography as art history

photography as art history

13 Oct 25 – 03 Nov 25 registrations closed
 Brazilian art and international relations

 Brazilian art and international relations

01 Oct 25 – 05 Nov 25 registrations closed
anti-art: collage and subversion

anti-art: collage and subversion

25 Sep 25 – 16 Oct 25 registrations closed
textile intersperses: sonia delaunay and regina gomide

textile intersperses: sonia delaunay and regina gomide

09 Sep 25 – 07 Oct 25 registrations closed
psychoanalysis, art and feminism

psychoanalysis, art and feminism

09 Sep 25 – 28 Oct 25 registrations closed
what can a story do?

what can a story do?

30 Jul 25 – 20 Aug 25 registrations closed
the landscape as a political body

the landscape as a political body

21 Jul 25 – 18 Aug 25 registrations closed
women photographers in modernity

women photographers in modernity

16 Jul 25 – 13 Aug 25 registrations closed
Brazilian sculpture: from modernism to contemporaneity

Brazilian sculpture: from modernism to contemporaneity

11 Jun 25 – 09 Jul 25 registrations closed
major collections of modern art: mam, moma, tate, pompidou and orsay

major collections of modern art: mam, moma, tate, pompidou and orsay

26 May 25 – 11 Jun 25 registrations closed
black women in the visual arts

black women in the visual arts

15 May 25 – 05 Jun 25 registrations closed
modern and after

modern and after

25 Jul 24 – 15 Aug 24 registrations closed
Brazilian photography in the mam collection

Brazilian photography in the mam collection

07 Jun 24 – 05 Jul 24 registrations closed
modern architecture in brazil

modern architecture in brazil

13 May 24 – 01 Jul 24 registrations closed
from renaissance to modern

from renaissance to modern

09 Apr 24 – 21 May 24 registrations closed
Afro-Brazilian art: aesthetics and poetics of the sacred

Afro-Brazilian art: aesthetics and poetics of the sacred

27 Mar 24 – 08 May 24 registrations closed
women artists in modernism

women artists in modernism

11 Mar 24 – 01 Apr 24 registrations closed
modern art and fashion in photography

modern art and fashion in photography

22 Feb 24 – 14 Mar 24 registrations closed