courses - MAM

MAM's course program is organized into four thematic areas that address modern and contemporary Brazilian art from different perspectives, ranging from artistic production to its distribution, reception and mediation processes, including training aimed at professionals working in cultural institutions. The goal is to promote a broad debate on the social and aesthetic issues that influence the artistic field, in addition to encouraging students to develop a repertoire that is sensitive to the museum's activities, exhibitions and collection.

Offered in the following formats online and/or in personThe courses are taught by renowned professionals in fields such as photography, art history and criticism, literature, museology, and cultural production. The program aims to cater to a diverse audience, including beginners and experts interested in the dissemination and appreciation of contemporary art.

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1. Narratives of Art History
Theoretical expository courses on art history and criticism, which explore different approaches, perspectives and contexts.

2. Cultural Management
Theoretical and practical courses for interested parties and professionals working in museums and cultural institutions on topics such as research, conservation, mediation, curation and production.

3. Contemporary Cultural Themes
Theoretical and practical courses designed to understand contemporary historical, aesthetic and political issues, integrating different areas of knowledge.

4. Artistic Practices
Practical courses and study groups designed to guide students' artistic production in the languages of the visual arts.

All courses issue a certificate of participation.

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Questions and information
Email: cursos@mam.org.br
WhatsApp: 11 99774 3987

Image. Image description: In the center of the scene, two men with fair skin and smooth textures sit side-by-side wearing black clothing, positioned in front of a large, dark vertical panel with colorful, abstract projections in shades of blue, red, and yellow reminiscent of a heat map. The man on the left has short, dark hair, a sparse beard, his arms crossed, and dark sneakers with white soles. The man on the right has short, brown hair, a full, dark beard, a tattoo on his left forearm, and is seated on a tall, dark wooden stool with his hands clasped in his lap. The space is large and has soft stage lighting, highlighting two rough, weathered concrete columns in the foreground and background, as well as panels and structures in the background to the left. End of description.

Art and mental health: experiences of the senses

13 Oct 26 – 18 Nov 26

$Image. Image description: In the foreground, there is an outstretched arm and an open hand holding a smooth, transparent sphere of crystal or glass. The hand belongs to a person with fair skin and a smooth texture, with fingers slightly bent under the base of the ball. The sphere reflects and refracts the surrounding landscape, projecting the background upside down inside it. In the background, blurred by the depth of field, the urban skyline of a city full of buildings under the bright natural daylight is visible, with a large antenna or tower standing out against the sky. End of description.$

Introduction to Video Art

24 Oct 26 – 28 Nov 26

Image. Image description: The image shows a technical storage area for an art collection in diagonal perspective, filled with beige metal sliding panels arranged in parallel rows. Each panel has vertical handles and numbered red labels on the edges. Between the metal mesh grids of the panels, various paintings and works of art of different sizes, techniques, and frames are stored vertically. The floor is gray and shiny, reflecting the cold, homogeneous artificial lighting from the ceiling, which has metal tracks on which the structures run. End of description.

inventory of collections and new technologies

19 Oct 26 – 23 Nov 26

Image. Image description: In the center of the composition, against a background of shades of brown and aged brown reminiscent of an old map, stands a classical-style painting of a caravel sailing on turbulent waters. The ship has white sails billowing in the wind, decorated with the Cross of Christ in red. At the top, the inscription in green cursive calligraphy reads:

Art in the formation of Brazil

22 Oct 26 – 12 Nov 26

Image. Image description: In the center of the image, in the foreground, a person seen from behind observes an art exhibition. She has fair skin, straight dark brown hair to her shoulders, and wears a black long-sleeved jacket or blouse, dark wide-legged pants, and black high-soled shoes. She carries a black bag slung over her shoulder and is leaning slightly forward. In front of her, on the wall, there is a large, vibrant artistic collage with fabrics and prints: on the left, a panel in intense shades of red and orange with wavy textures; in the center and to the right, printed images reminiscent of headlights and metal car parts, forming stylized wings, as well as details of a dress and prints with text in blue and green. On the floor, in front of the panel, there are two flat cutouts in the shape of a cloud or bubble with a colorful gradient in shades of pink, yellow, and purple. In the lower left corner, on the gray polished cement floor, there is a rectangular black rug where several small golden objects with folded and reflective surfaces are arranged. The space is well-lit by directional gallery lights, highlighting the colors and textures of the artworks. End of description.

management of independent art spaces

17 Sep 26 – 17 Oct 26 registrations closed

Image. Image description: In the center of a uniform white background, there is an abstract composition formed by cutouts and brushstrokes of overlapping colors that resemble botanical shapes or fragments of leaves. The predominant colors are shades of brown, terracotta, green, beige, and details in light blue and turquoise. The shapes have angular and pointed contours, creating a sense of dynamic movement from the center to the edges. At the bottom of the central figure, there is a subtle signature written in pencil. There is no presence of people, three-dimensional space, or visible direct lighting; this is a reproduction of a graphic work or print on paper. End of description.

Candaces of the Arts: The Legacy of Black Women Artists in Brazil

16 Sep 26 – 30 Sep 26

preventive conservation and risk management for cultural institutions

15 Sep 26 – 27 Oct 26 registrations closed

Art and madness?

09 Sep 26 – 28 Oct 26 registrations closed

Image. Image description: The artwork on flat paper is divided into two vertical rectangular panels arranged side-by-side on a light white background. The left panel consists of a light pink background surrounded by a thin pink border. In the center of this panel is a large abstract black silhouette, resembling a stylized leg or an organic cut-out shape. The lower left background has an area in a vibrant magenta tone. The right panel has a lettuce-green frame surrounding a dark purple background. In the center of this purple rectangle is a bright yellow rectangle framing an electric blue rectangle. Inside the blue area is a small cut-out white figure, also abstract and organic in shape. The entire image has a graphic collage style with pure, contrasting colors. End of description.

Philosophers think: modern art

14 Sep 26 – 05 Oct 26

Cultural mediation: art, education and curatorship

19 Aug 26 – 09 Sep 26

shared studio exercises

10 Aug 26 – 31 Aug 26

how to make museum plans

18 Aug 26 – 03 Sep 26

Image. Image description: A mixed media artwork on clean white paper. In the center of the composition, there is an abstract watercolor stain in an organic, elongated vertical shape, combining intense shades of wine, blue, emerald green, and a vibrant yellow-green. Along the upper and central part of the fluid stain, there are strokes and outlines in black India ink, suggesting stylized figurative forms. The white background surrounding the central stain is filled with various handwritten notes in black ink and graphite, organized into lists of words and phrases in Portuguese and English (such as

art and literature

13 Aug 26 – 10 Sep 26

Image. Image description: A surrealist collage with a space background, filled with stars and nebulae in shades of sepia, brown, and black. In the upper left corner, there is a cut-out figure of a classic headless statue sculpture, wearing a flowing tunic. In the center, an isolated human eye floats in the starry background. To the right, a large mushroom-shaped cloud of smoke rises, reminiscent of an atomic explosion. In the lower left, in the foreground, appear the bow and masts of an old sailing ship in black and white, cut at an upward angle. The overall lighting is dramatic, punctuated by the yellowish glows of the stars and nebulae in the dark background. End of description.

Surrealism: art, architecture, fashion and design

14 Jul 26 – 18 Aug 26

Image. Image description: Black and white photograph of an open double picture frame, resting on a flat, light-colored surface against a plain, neutral background. On the left is a portrait of a light-skinned man with dark hair combed to the side and a mustache, wearing a light-colored dress shirt with a slightly disheveled tie. Above his eyes is a small rectangular superimposed photo that prominently shows the outline of his own eyes with a serious expression. On the right is a portrait of a light-skinned woman with wavy dark hair, wearing earrings and an elaborate necklace. Above her mouth is a small, pasted rectangular cutout that prominently shows her slightly parted lips. End of description.

autofiction in the visual arts

15 Jul 26 – 05 Aug 26

Image. Image description: A vertical and expressive artistic collage presents a vibrant composition with a textured background in yellow and dark blue ink applied gesturally. In the center of the image, cutouts of birds with long, thin legs stand out: on the left, a bird with reddish plumage and, in the center, a white bird with open wings and a yellowish head turned upwards, which seems to interact with a small mask or floating dark element. The birds are balanced on a large curved orange shape, similar to a bud or shell, that floats horizontally. Below this orange structure, there is a slanted square cutout containing the image of a yellow moon with purple spots. Just to the right, a small rectangular white frame with beveled corners displays a dark purple background. At the top, there is a large cutout shape in light gray and white paper that resembles an architectural structure or abstract silhouette, as well as a partial detail of an animal head in shades of gray in the upper right corner. Large, stylized yellow letters, including the letter

collage and reinvention

14 Jul 26 – 04 Aug 26

Image. Image description: In the foreground, a light-skinned hand with red nail polish on the thumb holds the bottom of an open, handmade notebook. The notebook has thick, light beige pages with a rough, folded texture. On the two open pages, there is a drawing in dark blue chalk or pastel depicting a rooftop with details of chimneys and vertical structures. In the slightly blurred background, the real landscape can be seen under the natural light of a cloudy day: an elevated view of a city with orange ceramic tile roofs and houses in pastel shades of pink, yellow, and beige. End of description.

drawing as a vacation

18 Jul 26 – 08 Aug 26

accessibility in museums

16 Jun 26 – 07 Jul 26

Introduction to the conservation and restoration of paintings

18 Jun 26 – 08 Aug 26

Image. Image description: A vertical abstract geometric art print features a central composition on a textured ochre-gold background, framed by a white border. In the lower half of the work, there is a stylized representation of a light beige horizontal table or beam, supported by two vertical legs patterned with alternating white and beige horizontal stripes, each topped with a black square. Above this structure rises a thin red vertical line with a horizontal base, resembling a support. Attached to this central axis are four large blue geometric shapes with rounded tips (similar to fan or windmill blades) arranged asymmetrically: two at the top and two on the lower sides. In the center of the red axis, translucent lozenge shapes in a subtle beige tone overlap, and in the upper right quadrant, there is a hollow red circle positioned just above one of the blue shapes. On the lower white margin, there are signatures and fine pencil markings. End of description.

From engraving to the fair: printed art in Brazil

22 Jun 26 – 13 Jul 26

Communication and art: press releases, reviews and essays

15 Jun 26 – 20 Jul 26

Image. Image description: The image is an abstract collage composed of several vertical strips of paper, arranged side by side, creating a rhythmic and fragmented composition. The strips present different textures and contents, alternating between fragments of printed text in Portuguese, handwritten calligraphy, and color stains. The strips with printed text show incomplete words such as

Artist's texts: a practical study

20 May 26 – 24 Jun 26

Image. Image description: The photograph shows the installation of an exhibition in a large gallery or museum hall. The space has a high ceiling, a white ceiling with recessed lighting in side coves, and a floor covered with a brown protective material with white lines demarcating it. In the center and background, four light-skinned men are working on installing structures. On the left, a man is at the top of an orange folding ladder, adjusting the ceiling lighting; he is wearing a black t-shirt and dark trousers. Below him, another man in a beige t-shirt and jeans observes the work. In the center, a third man, wearing a gray striped t-shirt, is positioned on an aluminum ladder, with his arms raised adjusting a metal rod that descends from the ceiling. On the right, in the foreground, a man with a short beard, wearing a gray t-shirt and dark trousers, holds a screwdriver and works on a large suspended metal structure. This structure is a long, hollow rectangle made of thin, dark metal bars that appears to float in the middle of the hall. The space is large and undergoing a transformation, with extra wooden ladders scattered around and tools on the floor. The lighting is bright and artificial, creating a focused and industrial work environment. End of description.

production of exhibitions in art museums

19 May 26 – 09 Jun 26

Image. Image description: The image presents a minimalist and conceptual artwork on an off-white or slightly yellowish paper background. In the lower register of the composition, four rounded and solid black shapes are aligned horizontally, resembling silhouettes of fruits such as pomegranates or figs, or possibly old bombs with fuses. Each of these shapes has a small

Women in Latin American art

25 May 26 – 29 Jun 26

Image. Image description: The artwork is a square painting contained in a vibrant yellow wooden frame, mounted on a smooth white wall. The composition is divided horizontally into two parts by a yellow strip. At the top, on a white background, is written the word **

Art in the post-digital age: image and circulation.

14 May 26 – 25 Jun 26

Image. Image description: The artwork is a visual composition on a light beige textile support, similar to raw cotton fabric or parchment, with slightly irregular edges. The piece mixes black and red line drawings with colored elements and handwritten text. In the upper left quadrant, there is a light-skinned female figure, bare-breasted, wearing a headdress and a red cape. She is mounted on an animal that combines characteristics of an alligator and a snake. Next to her, the text reads:

contemporary indigenous art and Tupinambá culture

20 May 26 – 08 Jul 26

Image. Beginning of image description: Geometric painting composed of four horizontal stripes of earth tones (burnt orange) on a white background. The stripes have slightly irregular and angular outlines, not being perfectly straight, and are contained within a beige paper frame. End of image description.

Brazilian modernisms: art, architecture, design

08 Apr 26 – 06 May 26 registrations closed

Image. Start of image description: Graphic design poster with a black background. The composition features four elongated triangles that extend into the central area from the edges: a blue one on the left, a yellow one at the top, a white one at the base, and a red one on the right. German text is arranged geometrically and rotated between the triangles. End of image description.

right for the cultural sector

07 Apr 26 – 28 Apr 26 registrations closed

Image. Beginning of image description: Artwork on white framed paper. It features two irregular geometric shapes in a textured aquamarine tone, separated by a central black diagonal line. The outer contours of the composition are marked by expressive, grainy black strokes on the beige background of the paper. End of image description.

art and psychoanalysis

28 Apr 26 – 23 Jun 26

Text and image in editorial projects.

26 Mar 26 – 30 Apr 26 registrations closed

Image. Beginning of image description: Composition of three old black and white photographs on a light gray background. The largest, on the left, shows a sculpture being covered or uncovered with bubble wrap. The two smaller ones on the right show public monuments in squares at night, with parts wrapped in plastic, suggesting an artistic intervention. End of image description.

management of contemporary art collections

16 Mar 26 – 04 May 26 registrations closed

Image. Beginning of image description: Close-up of a drawing or painting with crayon or colored pencil textures. The composition is dominated by patches of vibrant green and lime, with interventions of red, orange, and yellow on the right, as well as black hatching that suggests shadows or outlines of foliage. End of image description.

Seeing is not recognizing: drawing and the practice of observation.

14 Mar 26 – 11 Apr 26 registrations closed

Image. Beginning of image description: Digital art generated by algorithms with a pixel art aesthetic. The image is composed of complex repeating geometric patterns, including Sierpinski-type triangles, black horizontal lines, and vertical stripes in green, blue, and red on a white background, creating a dense and mathematical visual texture. End of image description.

drawing with code: creative programming

10 Mar 26 – 14 Apr 26 registrations closed

$Image. Image description: The image shows a hand holding a fragment of dark, angular rock against a blurred background in shades of beige and gray. The rock has a rough texture and is predominantly black or dark gray, with various inclusions and spots in shades of orange, ochre, and crystalline white scattered across its surface. The lighting is natural and highlights the mineral details and fractures of the piece. End of description.$

curatorial activism in Brazil

25 Feb 26 – 11 Apr 26 registrations closed

Image. Image description: The image shows two silver coins on a solid black background. The coin on the left displays the value.

dynamics of the art economy

19 Feb 26 – 19 Mar 26 registrations closed

Image. Image description: The image shows an oil painting by Tarsila do Amaral, dated 1948, framed in dark wood. The work depicts a Brazilian rural landscape with green hills in the background under a cloudy blue sky. In the middle ground, small, simple houses in shades of white, pink, and blue are surrounded by typical vegetation, including tall cacti and a tree with a rounded crown. A dirt path crosses the scene, and large stones appear in the foreground. The signature

modern and contemporary art

24 Feb 26 – 07 Apr 26 registrations closed

Image. Image description: A self-portrait or portrait of a man, possibly Flávio de Carvalho, painted in an expressive style with vibrant colors and loose brushstrokes. The figure, with fair skin, is depicted in the foreground, looking directly ahead with an intense and serious expression. The face and body are constructed with patches and blocks of color that vary between shades of blue, red, orange, green, and white. The hair is represented with quick, dark brushstrokes on the top of the head. The figure's clothing on the torso displays large geometric planes in shades of bright pink, red, light blue, orange, and dark blue. The hands, placed one on top of the other at the bottom of the painting, are painted schematically, with shades of white, light blue, and beige. The background is abstract, composed of large areas of color that include pink, red, light blue, and yellowish-green. In the upper right corner, there is an inscription in green ink that appears to be a signature and date. End of description.

Representations of madness in the history of art.

27 Jan 26 – 03 Mar 26 registrations closed

Image. Image description: A digital art rendering that resembles an image made with ASCII characters or large, colorful pixel blocks, with a limited color palette including shades of light gray, blue, purple, and green. The composition vaguely suggests an architectural scene or portal with vertical and horizontal elements contrasting with a lighter area. The shapes are abstract and geometric, composed of small dots and colored blocks, creating a grainy, digitized texture. End of description.

Computational art: producing reticulated images

14 Jan 26 – 28 Jan 26

Image. Image description: A digital or mixed art collage, characterized by a background of vivid and contrasting colors: strong yellow at the top and sides, and vibrant green on the lower sides. In the center, two symmetrical and mirrored human silhouettes in dark green frame a rocky and textured gray shape, upon which there is a piece of turquoise-blue material, which may represent water or a mineral texture. In the central foreground, a large, lobed leaf, intensely red in color and with evident texture, dominates the composition. In the center of this leaf, an almond-shaped cutout reveals a realistic brown human eye, looking directly ahead. Below the red leaf, at the bottom, is a dark black block. The saturated colors, the surreal theme of the eye in the leaf, and the striking symmetry give the work a graphic and eye-catching character. End of description.

Collage: Plants that changed history.

13 Jan 26 – 03 Feb 26

Image description: A close-up photo of an embroidered artwork inside a round wooden frame. The work is made on an ecru or white fabric and features the embroidered outline in black thread of the face and shoulders of a figure with a shaved or bald head. The eyes are outlined, and the most striking feature is the filling of the mouth area with dense black thread embroidery, forming a rectangle that simulates a gag or silencing device. The frame rests on a dark, uniform surface. End of description.

museology and anticolonial strategies

21 Nov 25 – 19 Dec 25 registrations closed

Image Description: The image is the cover of a historical French publication called

Japonism in modern art

12 Nov 25 – 03 Dec 25

Image description: A wide, panoramic view of the interior of a large exhibition hall, with a bright white floor and walls. The high ceiling is adorned with a long row of directional spotlights. The room is filled with various works of contemporary art. On the left wall hangs a series of four or five framed, colorful paintings. In the center of the floor, there is a sculpture installation consisting of large pieces of rusted or burned metal, supported by easels or thin metal structures. Immediately behind this sculpture is a large rectangular screen displaying a close-up image of a map. Further back, other screens and installations are visible, including a tall metal structure on the right that appears to support objects resembling human heads or masks adorned with feathers and fabric. The perspective of the long, white corridor creates a sense of depth and spaciousness. End of description.

art and history of exhibitions

27 Nov 25 – 18 Dec 25 registrations closed

Image Description: The image features a colorful abstract artwork divided into two vertical sections, as if they were two pages of a book or a diptych. Left Section: A light pink background predominates, occupying most of the area. Against this background, there is a large, abstract, irregular black shape, extending vertically almost the entire height of the section. This black shape has wavy, organic contours, resembling a silhouette or abstract cutout. To the right of the black shape, and connecting to it at some points, is a smaller, also abstract and organic shape, in a darker shade of pink (fuchsia or magenta). This darker pink shape extends from the bottom to the middle of the section, complementing the composition. Right Section: This section is dominated by a large rectangle in a vibrant shade of magenta or fuchsia. This rectangle is framed by a vertical emerald green border on the left and, discreetly, by a white border on the other ends. In the center of the magenta rectangle is another smaller rectangle in a deep cobalt blue. This blue rectangle, in turn, is framed by a thin, bright lemon-yellow line. Within the blue rectangle is an abstract white shape with soft, curved contours, vaguely resembling a human figure or an organic silhouette. The two sections are side by side, with a slight separation in the middle, and are characterized by flat colors and jagged shapes, reminiscent of the

between the photobook and the artist's book

17 Nov 25 – 12 Dec 25 registrations closed

mourning in Brazilian poetry

23 Oct 25 – 13 Nov 25 registrations closed

photography as art history

13 Oct 25 – 03 Nov 25 registrations closed

Brazilian art and international relations

01 Oct 25 – 05 Nov 25 registrations closed

family photography and psychoanalysis

17 Sep 25 – 15 Oct 25 registrations closed

textile intersperses: sonia delaunay and regina gomide

09 Sep 25 – 07 Oct 25 registrations closed

psychoanalysis, art and feminism

09 Sep 25 – 28 Oct 25 registrations closed

anti-art: collage and subversion

25 Sep 25 – 16 Oct 25 registrations closed

the body in Japanese photography

14 Aug 25 – 18 Sep 25

body and language: between silence and words

14 Aug 25 – 18 Sep 25

collecting in art

11 Aug 25 – 08 Sep 25 registrations closed

exhibition production: how does an art show come about?

05 Jul 25 – 02 Aug 25 registrations closed

what can a story do?

30 Jul 25 – 20 Aug 25 registrations closed

women photographers in modernity

16 Jul 25 – 13 Aug 25 registrations closed

drawing paths through the land

05 Jul 25 – 26 Jul 25 registrations closed

the landscape as a political body

21 Jul 25 – 18 Aug 25 registrations closed

auteur cinema: new visual narratives

24 Jun 25 – 29 Jul 25 registrations closed

development and production of cultural projects

10 Jun 25 – 01 Jul 25 registrations closed

Brazilian sculpture: from modernism to contemporaneity

11 Jun 25 – 09 Jul 25 registrations closed

introduction to painting conservation and restoration

06 May 25 – 31 May 25 registrations closed

performance art and violence: new approaches

27 May 25 – 17 Jun 25 registrations closed

design and branding for cultural institutions

12 May 25 – 28 May 25 registrations closed

major collections of modern art: mam, moma, tate, pompidou and orsay

26 May 25 – 11 Jun 25 registrations closed

black women in the visual arts

15 May 25 – 05 Jun 25 registrations closed

public policies for culture

07 Apr 25 – 14 Apr 25 registrations closed

curation in independent spaces

10 Apr 25 – 24 Apr 25 registrations closed

art and psychoanalysis

08 Apr 25 – 27 May 25 registrations closed

collection management policy: reflections and practice

11 Mar 25 – 20 Mar 25 registrations closed

encounters between photography and literature

10 Mar 25 – 31 Mar 25

right for the cultural sector

11 Mar 25 – 08 Apr 25

indigenous arts: from villages to museums

11 Mar 25 – 27 Mar 25

dynamics of the art economy

12 Feb 25 – 19 Mar 25 registrations closed

byung-chul han and the philosophy of art

18 Feb 25 – 27 Feb 25 registrations closed

sound-listening: strategies and insertion in the visual arts

15 Jan 25 – 05 Feb 25

performative writings

21 Jan 25 – 18 Feb 25

from the body to the utopia of the image

23 Jan 25 – 13 Feb 25

contemporary art in the MAM collection

20 Jan 25 – 17 Feb 25

what is written is worth it: artist's texts in Brazil since 1950

14 Nov 24 – 19 Dec 24

drawing and writing ping pong

12 Nov 24 – 10 Dec 24

brief history of art and fashion

12 Nov 24 – 17 Dec 24

drawing with code: creative programming

14 Oct 24 – 18 Nov 24

the 80s generations in Brazilian art

15 Oct 24 – 24 Oct 24

production of exhibitions in art museums

10 Sep 24 – 26 Sep 24

history of art in latin america

10 Sep 24 – 01 Oct 24

can photography be poetry?

16 Sep 24 – 07 Oct 24

does art heal? – a history of the healing powers of art

18 Sep 24 – 09 Oct 24

digital communication in museums

19 Aug 24 – 09 Sep 24 registrations closed

Still I rise: women artists in the fight against femicide

14 Aug 24 – 11 Sep 24 registrations closed

private photography collection: conservation and organization

06 Aug 24 – 27 Aug 24 registrations closed

ceramic workshop: fundamental techniques

17 Jul 24 – 28 Aug 24 registrations closed

museology, law and decoloniality

15 Jul 24 – 12 Aug 24 registrations closed

modern and after

25 Jul 24 – 15 Aug 24 registrations closed

paint manufacturing studio

20 Jul 24 – 10 Aug 24 registrations closed

Brazilian photography in the mam collection

07 Jun 24 – 05 Jul 24 registrations closed

original print design

05 Jun 24 – 03 Jul 24 registrations closed

introduction to painting conservation and restoration

13 Jun 24 – 03 Aug 24 registrations closed

collapse of texts: words, writings and readings in contemporary art

25 May 24 – 13 Jul 24 registrations closed

modern architecture in brazil

13 May 24 – 01 Jul 24 registrations closed

the surrealist rebellion: aesthetics, psychoanalysis and politics

10 May 24 – 14 Jun 24 registrations closed

production of exhibitions in art museums

08 Apr 24 – 24 Apr 24 registrations closed

the world in motion: drawings in Ibirapuera Park

20 Apr 24 – 11 May 24 registrations closed

encounters between photography and literature

15 Apr 24 – 06 May 24 registrations closed

from renaissance to modern

09 Apr 24 – 21 May 24 registrations closed

art and psychoanalysis studio

16 Apr 24 – 04 Jun 24 registrations closed

photoperformance workshop

16 Mar 24 – 13 Apr 24 registrations closed

women artists in modernism

11 Mar 24 – 01 Apr 24 registrations closed

management of museum collections

05 Mar 24 – 14 Mar 24 registrations closed

Afro-Brazilian art: aesthetics and poetics of the sacred

27 Mar 24 – 08 May 24 registrations closed

ceramic workshop: fundamental techniques

20 Feb 24 – 02 Apr 24 registrations closed

law for the cultural sector, with Olívia Bonan

28 Feb 24 – 20 Mar 24 registrations closed

modern art and fashion in photography

22 Feb 24 – 14 Mar 24 registrations closed

creative experimentation workshop in images, with Carine Wallauer

17 Jan 24 – 07 Feb 24 registrations closed

photo notebook laboratory, with Marcello Vitorino

18 Jan 24 – 29 Feb 24 registrations closed

walking as a strategy / art as a response, with Caio Meirelles Aguiar

13 Jan 24 – 03 Feb 24 registrations closed

art and entertainment in byung-chul han, with Lucas Nascimento Machado

16 Jan 24 – 06 Feb 24 registrations closed

incoherent arts: cubism, dadaism, abstractionism, surrealism, with Denis Molino

06 Nov 23 – 18 Dec 23 registrations closed

Does art heal?, with Katia Canton

24 Nov 23 – 15 Dec 23 registrations closed

artist's clothing: fashion in the modernist avant-gardes, with Brunno Almeida Maia

27 Oct 23 – 17 Nov 23 registrations closed

photography, poetry and contemporary narratives, with Juliana Monteiro

09 Oct 23 – 30 Oct 23 registrations closed

contemporary art: ways of using, with Paula Braga

19 Oct 23 – 30 Nov 23 registrations closed

Afro-Brazilian art: perspectives and challenges, with Claudinei Roberto da Silva

10 Oct 23 – 07 Nov 23 registrations closed

dante and the visual arts, with Valentina Cantori

23 Sep 23 – 14 Oct 23 registrations closed

exhibition production: how an art exhibition is born, with Daniele Carvalho

12 Sep 23 – 28 Sep 23 registrations closed

performance: the body as a tool, with Renan Marcondes

03 Aug 23 – 31 Aug 23 registrations closed

copyright photography, with Marcelo Greco

Aug 09, 23 – Nov 29, 23 registrations closed

rehearsing the anthropocene: ecology, writing and visual arts, with Ana Rüsche

08 Aug 23 – 12 Sep 23 registrations closed

colors and materials in oil painting, with Bruno Dunley and Rafael Carneiro

12 Aug 23 – 09 Sep 23 registrations closed

being, drawing and overcoming landscapes, with Helena Obersteiner

15 Jul 23 – 05 Aug 23 registrations closed

pigment production and watercolor practice workshop, with Denise Valarini and Danielle Noronha

10 Jul 23 – 26 Jul 23 registrations closed

sound art as anti-colonial technology, with Ana Lira

31 Jul 23 – 04 Sep 23 registrations closed

editorial projects for photography books, with Marcelo Greco

20 Jun 23 – 25 Jul 23 registrations closed

for a history of lgbtqia+ art, with Lorenzo Merlino

14 Jun 23 – 29 Jun 23 registrations closed

diversity and inclusion in cultural institutions, with Viviana Santiago

14 Jun 23 – 22 Jun 23 registrations closed

online course | Japanese photographers, with Marcelo Greco

02 May 23 – 06 Jun 23

hybrid course | ianelli 100 years: curatorial journey, with Denise Mattar

06 May 23 – 25 May 23

online course | media art: understanding, displaying and preserving, with Caio Meirelles Aguiar and Roberto Cruz

10 May 23 – 31 May 23

in-person workshop | autobiographical comics, with Helô D'Angelo

27 May 23 – 24 Jun 23 registrations closed

women in art history

14 Sep 23 – 05 Oct 23 registrations closed

online course | word and image in five contemporary women writers, with Reynaldo Damazio

22 Apr 23 – 20 May 23 registrations closed

online course | law for the cultural sector, with Olívia Bonan

06 Apr 23 – 27 Apr 23 registrations closed

online course | cryptoart – the history of encrypted art, with Mariana Braoio and guests

24 Apr 23 – 12 Jun 23 registrations closed

online course | art and psychoanalysis, with Flavia Corpas

14 Apr 23 – 14 Jul 23 registrations closed

in-person screen printing workshop, with Coletivo SHN

18 Mar 23 – 15 Apr 23 registrations closed

face-to-face course | basic photography, with Marcello Vitorino

07 Mar 23 – 25 Apr 23 registrations closed

online course | encounters between photography and literature with Juliana Monteiro

13 Mar 23 – 03 Apr 23 registrations closed

online course | drawing with code: creative programming with Alexandre Villares

22 Mar 23 – 26 Apr 23 registrations closed

in-person workshop | lambe-lambe to assume a language, with Bruna Alcantara

11 Feb 23 registrations closed

in-person workshop | embroidered photography, with Bruna Alcantara

12 Feb 23 registrations closed

in-person masterclass | proust and the arts, with Brunno Almeida Maia

25 Feb 23 registrations closed

online course | history of genocides and their denials, with Patrícia Valim

15 Feb 23 – 15 Mar 23 registrations closed

online course | cultural representations of female readers, with Juliana Cunha

10 Jan 23 – 07 Feb 23 registrations closed

online course | What does dance have to do with other arts?, with Henrique Rochelle

02 Feb 23 – 02 Mar 23 registrations closed

hybrid course | art criticism from the panorama of mam, with Mirtes Marins

11 Jan 23 – 14 Jan 23 registrations closed

online course | visual arts and decoloniality in Brazil, with Renata Felinto

30 Jan 23 – 27 Feb 23 registrations closed

online course | music and visual arts in Brazilian modernism, with Camila Fresca

01 Dec 22 – 15 Dec 22 registrations closed

face-to-face course | graphic narratives through the unconscious, with dw ribatski and guests

12 Nov 22 – 17 Dec 22 registrations closed

online course | Does art heal?, with Katia Canton

27 Oct 22 – 17 Nov 22 registrations closed

online course | Milton Nascimento and the corner club, with Sheyla Diniz

11 Nov 22 – 02 Dec 22 registrations closed

online course | creative experimentation workshop in images with Carine Wallauer

11 Oct 22 – 21 Oct 22 registrations closed

online course | fashion and aesthetics: life as a work of art with Brunno Almeida Maia

17 Oct 22 – 07 Nov 22 registrations closed

online course | modern and contemporary art with Lorenzo Merlino

25 Oct 22 – 13 Dec 22 registrations closed

online course | systemic creative processes, with Katia Salvany

06 Sep 22 – 27 Sep 22 registrations closed

online course | encounters between photography and literature with Juliana Monteiro

12 Sep 22 – 03 Oct 22 registrations closed

online course | art, activism and social media with Nathalia Lavigne and Larissa Macêdo

01 Oct 22 – 05 Nov 22 registrations closed

face-to-face course | mobografia – mobile photography with André de Oliveira

20 Aug 22 – 10 Sep 22 registrations closed

online course | copyright photography with Marcelo Greco

24 Aug 22 – 14 Dec 22 registrations closed

online course | drawing, imagination and theatricality with Rafael Vogt Maia Rosa

25 Aug 22 – 27 Oct 22 registrations closed

online course | art, fashion and philosophy with Brunno Almeida Maia

11 Jul 22 – 01 Aug 22 registrations closed

online course | feminist criticism and art history laboratory with Talita Trizoli

05 Jul 22 – 23 Aug 22 registrations closed

online course | cryptoArte, the history of encrypted art with Mariana Braoio

07 Jul 22 – 04 Aug 22 registrations closed

online course | Bosch, Goya, Gauguin, Redon, Munch: fantastic art and symbolism with Denis Molino

09 May 22 – 20 Jun 22 registrations closed

online course | drawing, imagination and thinking with Rafael Vogt Maia Rosa

12 Apr 22 – 17 May 22 registrations closed

online course | contemporary art and its relationships with music with Rafael Vogt Maia Rosa

24 Mar 22 – 19 May 22 registrations closed

online course | into the woods – dynamics of creativity with Rodrigo Bueno

02 Feb 22 – 23 Feb 22 registrations closed

online course | black women in the visual arts with Mirella Maria

03 Feb 22 – 24 Feb 22 registrations closed

online course | curatorial concepts in photography with Karina Bacci

01 Feb 22 – 22 Feb 22 registrations closed

online course | fashion and modus at Art Week 22 with Brunno Almeida

31 Jan 22 – 14 Mar 22 registrations closed

Domino style wooden game lined up on a wooden table.

Games in Madeira with Fernanda Tosta

20 oct 21 registrations closed

online course | Furniture from subjectivity – Sculptures against the body with Carol Tonetti and Vitor Cesar

28 Oct 21 – 02 Dec 21 registrations closed

online course | Moquém_Surarî: paths to an exhibition of contemporary indigenous art with Jaider Esbell and Paula Berbert

01 Oct 21 – 08 Oct 21 registrations closed

online course | Art and Science: light, space and time with Denise Gadelha and Gabriela Barreto Lemos