sculpture garden

information and scheduling

In 1993, the São Paulo Museum of Modern Art opened the Sculpture Garden with works from its collection and that of the São Paulo City Hall. The initiative created a unique and diverse space for the city, already accustomed to works of art in public spaces, but which now hosted an open-air exhibition in the most visited park in the country. The Sculpture Garden marks an initiative that revived the mam collection in its own, free space with a large circulation of people – a trajectory that turns 30 years old in 2023.

The landscape project was commissioned for the office of the emblematic landscape architect Burle Marx. For MAM's Garden, Burle Marx created his own logic for the arrangement of artistic volumes with modern characteristics, and combined the landscape, the volumes of the works and the intervals in a fruition full of an apparent informality of the curves, approaching the architecture of Oscar Niemeyer around him, particularly in the marquee and in Oca.

The artworks form a heterogeneous group, which shows in an asymmetrical way an important section of the three-dimensional production of Brazilian contemporary art, centered on the second half of the XNUMXth century. To a large extent, this stems from its own history of formation, as some of the works were legacies from various biennials and others were added as mam was able to intervene in the space. Thus, for example, upcoming works such as Exu mola de Jeep, by Mário Cravo, which participated in the V Bienal de São Paulo – integrating the Bahia pavilion by Lina Bo Bardi -, with the steel work by José Resende, donated to MAM by Itaú Cultural, which snakes through the space. In another similar situation, we have the granite sculpture by Lélio Coluccini, The Huntress, belonging to the city of São Paulo, close to works loaded with constructive rationality, such as the sculptures by Amilcar de Castro and Franz Weissman.

The diversity of origins and productions give the Garden an individual relevance in the Park's landscape, which has mobilized mam several times over these 30 years. Changes were made to the set of works displayed, temporary exhibitions occasionally took place, major restorations and lighting projects, in addition to the permanent presence of Educativo do mam in this space.

artworks

Presentation of MAM São Paulo Sculpture Garden
Corners
Franz Weissmann, Corners
1975
Untitled
José Resende, Untitled
1997
Untitled
Mauricio Bentes, Untitled
1991

educational

poetic experience

stories in the garden

mam in minecraft

garden 30 years

mam debate

 
execution